This is a groundbreaking event that aims to bring together violin-makers, musicians, and scholars from across the region to share knowledge, experiences, and techniques related to the construction of historical instruments. This initiative responds to an urgent need in Latin America, where access to period instruments remains a significant challenge for performers seeking to explore Baroque repertoire through a historically informed approach.
The congress will feature Gabriela Guadalajara, a distinguished Mexican luthier, as the lead instructor and co-organizer. Her participation marks a crucial step in building a strong network for historical instrument making in the region, as she bridges the gap between artisanal craftsmanship, academic research, and musical performance. This synergy will create a deeper connection between instrument construction and performance.
Eight participants from Brazil, Colombia and Mexico will have the opportunity to engage in an intensive two-week workshop designed to provide hands-on experience in the construction of Baroque violins. These sessions will focus on developing and refining essential technical skills to set up an instrument in the style of the great makers of the 18th century.
Beyond technical training, this initiative represents a critical step toward securing the long-term development of historically informed performance in Latin America. By laying the foundation for an active and collaborative community of luthiers, the congress seeks to foster a sustainable ecosystem for early music in the region. In a landscape where modern instrument-making has traditionally dominated the market, specialization in Baroque instruments presents a valuable opportunity for diversification and economic growth, offering an alternative and complementary niche for makers.
At its core, this congress serves as a catalyst for a profound transformation in the region’s musical landscape. Through training, research, and strengthened collaboration networks, it will help consolidate a space where early music can thrive independently—supported by accessible, high-quality historical instruments. This ambitious vision will only be possible through the dedication of a committed community of makers, determined to uphold the highest artistic and historical standards in their craft.