Enchanting Isles & Loving Birds in 17th-Century Music
Cupid's Songs delves into the multifaceted nature of love through the musical lens of the 17th century, a period that heralded a new understanding of human subjectivity. Inspired by the symbolism of Cupid, the repertoire spans melancholic, playful, courtly, pastoral, mystical, tragic, erotic, and festive expressions of love. With pieces from diverse traditions, it celebrates love as the driving force of musical creation, offering a kaleidoscopic journey through the emotions and imagery of a transformative era.
Overture
Altri canti d’Amor, tenero arciero
Ottavo libro di madrigali guerrieri et amorosi (1638)
Claudio Monteverdi (1567-1643)
Amor cortés
A cierto galán su dama
Códice Zuola – Perú (ca. 1690)
Anónimo
Torna deh, torna
Le Nuove Musiche (1602)
Giulio Caccini (1551-1618)
Amor místico
O quam tu pulchra est
Symphoniae sacrae I Op. 6 (1629)
Heinrich Schütz (1585-1672)
Amor pastoril
Ma bergère
Airs avec et sans basse continue (1689)
Michel Lambert (ca. 1610-1696)
Fairest Isle
King Arthur (1691)
Henry Purcell (1659-1695)
Le doux silence de nos bois
Livre d’Airs (ca. 1685)
Honoré d’Ambruys (fl. 1680-1710)
Amor trágico
Pourquoy doux rossignol
XIVme livre d’Airs sérieux et à boire (1698)
Jean-Baptiste de Boësset (1662-1725)
Lamento della Ninfa
Ottavo libro di madrigali guerrieri et amorosi (1638)
Claudio Monteverdi (1567-1643)
Amor erótico
Odi, Euterpe
Le Nuove Musiche (1602)
Giulio Caccini (1551-1618)
Amor dormiglione
Cantate, ariette e duetti (1651)
Barbara Strozzi (1619-1677)
Amor Victorioso
Repicaban las campanillas
Étienne Moulinié
Cupid's dance - T'is love that has warm'd us
King Arthur (1691)
Henry Purcell (1659-1695)
Miércoles 13 de septiembre
7 p.m.
Teatro Comfama
Entrada libre
Viernes 16 de junio
3 p.m.
Museo de Antioquia (Sala del Concejo)
Entrada libre