Marian Sincretism

in Colonial Spanish America

During the colonial period, the figure of the Virgin Mary served as a powerful symbolic mediator in the process of cultural and spiritual mestizaje that shaped the history of Latin America. Around her image, deeply mestizo devotions took root — devotions in which music played a central role as a vehicle of faith, belonging, and power.

Dark-Skinned and Full of Grace is Mary is a journey through Marian expressions in the Hispanic American Baroque — a repertoire where the sacred and the popular, the Indigenous, African, and European traditions converge. Through villancicos, litanies, and festive songs dedicated to various Marian invocations, this program invites a sensitive listening to the complex processes of syncretism that gave form to colonial religiosity.

Presented as part of the Quito International Festival of Sacred Music, in the churches of San Sebastián and San Marcos — temples symbolic of Quito’s mestizo heritage — this concert was also a gesture of remembrance: an invitation to reactivate, through historically informed performance, the echoes of a repertoire that once resounded within these very spaces.

Photo credits: Ana Lucía Zapata - Fundación Teatro Nacional Sucre Quito